Sad
Consumed by depression4 total reviews
Comment from Goya
You chosed an intriguing articulation of your concept, I would like to here more how did you land on this.
Cheers,
Goya.
reply by the author on 18-Jun-2004
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You chosed an intriguing articulation of your concept, I would like to here more how did you land on this.
Cheers,
Goya.
Comment Written 07-May-2004
reply by the author on 18-Jun-2004
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I do my best work as abstract. Emotions, no matter how solid, are actually all abstract if you think about it. Using abstract, more people can relate to my work because they each see it as something different. And can relate a different emotion with it. thanx for the review. ;-)
Comment from RUBY REDWINE
Bodysecca, I can say with all my heart that you have captured ( at least a glimpse ) of the human brain in a state of confusion. I have experienced the DEMON of DEPRESSION in many forms, so for me this is a very real.
WELL DONE
RUBY REDWINE
reply by the author on 23-Apr-2004
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Bodysecca, I can say with all my heart that you have captured ( at least a glimpse ) of the human brain in a state of confusion. I have experienced the DEMON of DEPRESSION in many forms, so for me this is a very real.
WELL DONE
RUBY REDWINE
Comment Written 23-Apr-2004
reply by the author on 23-Apr-2004
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Thank you so much. I am glad that you appreciate my work. Many don't.
Comment from sharra69
This composition caught my eye by the transparenty effect. As a hole it works. It is good how you have manage to create a composition out of depression. However i feel as though the composition could have been reworked a bit more, perhaps try building up the layers more and adding in more tonal areas. It is a little pale in colour to veiw, maybe thats the photo shot?
reply by the author on 23-Apr-2004
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This composition caught my eye by the transparenty effect. As a hole it works. It is good how you have manage to create a composition out of depression. However i feel as though the composition could have been reworked a bit more, perhaps try building up the layers more and adding in more tonal areas. It is a little pale in colour to veiw, maybe thats the photo shot?
Comment Written 22-Apr-2004
reply by the author on 23-Apr-2004
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Thank you. That piece is actually darker if you view it "in person" I guess you could say. The camera I had to take the pic with made it seem much lighter, I'll have to mess with it on my computer and see if I can darken it a bit to what it actually looks like. Thanks again
Comment from emotif
Odd subject matter - eyes and lips - but ironically it has a strange appeal. Your backround shapes, pointing down like icicles melting, strangely enough reminds me of a Dali painting where he had a clock dripping down the side of a table. Dripping to me is a good image of aging. Best wishes.
reply by the author on 22-Apr-2004
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Odd subject matter - eyes and lips - but ironically it has a strange appeal. Your backround shapes, pointing down like icicles melting, strangely enough reminds me of a Dali painting where he had a clock dripping down the side of a table. Dripping to me is a good image of aging. Best wishes.
Comment Written 22-Apr-2004
reply by the author on 22-Apr-2004
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Thank you once again. I'm glad you like my work. Eyes and lips have always fascinated me. The eyes are the windows to the soul and can tell what the mouth cannot. A lot of my charcoal pieces have faces and eyes and such as the focus.